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Learn: Live Grading on set Primary and Best Light Color Correction Learn to use Davinci Resolve and Assimilate Scratch

I'm planning a 2 day DIT On-Set Dailies workshop here in . Over the past four years I have studied and developed a unique simple workflow for processing graded dailies on set.  After many requests for a DIT On-Set Dailies workshop, I am now bringing this to Los Angeles on July 27 and 28 in a one of a kind…

Last Sunday while at Hal's in Venice, I shot a little footage on vibraphonist Onaje Murray.  The popular night spot is know for it's live music and food, but not it's stage lighting, because there is not stage lighting, only a few small ceiling lights to illuminate the musicians.  This does not make for great…

NAB 2013 - A GCI PERSPECTIVE "THE KING IS DEAD, LONG LIVE THE KING" BY BOB KERTESZ, GCI INSTRUCTOR - IMAGE MANAGEMENT FROM SET TO POST About the author: Bob Kertesz, along with Aaron Peak, are instructors for the Global Cinematography Institute Class - Image Management from Set to Post. This class examines the link between…